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All Shall Be Well - The Musical

by Martin Hoile and Simon Parke

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ella556 Lovely 'cello opening. Words and music incredibly moving. God speaks directly to Julian, sealed in her cell. First some words he didn't say, then the all important: But I did say, please remember well, you shall not be overcome.. Favorite track: You Shall Not Be Overcome.
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1.
This England 03:53
Credo in unum Deum, Patrem omni potentem Factorem coeli et terrae, Visibilium omnium, Et invisibilium Amen I love it here, although it hurts I love this city though it cries Cathedral spire it gives us hope beneath the darkening skies The plague it plagues us, bishops rage But bluebells grow here, they cheer my day Apothecary mends us well - and prayer to God, they say I love this England, though it hurts me (Oh yes it hurts me) I love this city, oh how it shines The market hums, we’re European here, sir We give them wool, they give us cheese and Flemish wine The Kings and Lords hold all the power Not so attuned to poor men's cries The harbour lights they guide us home beneath the darkening skies That Mr Chaucer tells his tales He writes in English – would you believe! And excrement flows right through the streets It’s a mystery how we breathe!
2.
P: This is the pardoner’s tale, humbly offered up for you (R: Hugh?) So tireless in my work, I do what even God can’t do For God he rages daily and hates the human kind While I seek out the troubled soul and try to ease their mind The Pardoner brings pardon, you’ll find us very nice I offer sweet forgiveness - but only at a price I scribble on my vellum and you walk free as air! Freed also of your money, in which I humbly share R: Welcome to Rick’s relics stall and thank God I’m here This Norwich boy as welcome as duck-fat, bread and beer The trouble with the faith thing - and no offence is meant You can neither see nor touch it - which is why I’m heaven sent St Agatha’s thigh, St Agatha’s thigh! Oh me oh my, St Agatha’s thigh! It’s for those who sigh, St Agatha’s thigh You’ll want a relic, matey, a relic you can feel Jacob’s sweaty jock-strap, St Peter’s holy heel A thorn from Christ’s cruel crown – but no need to feel a P: Rick!.. Begone with you, and take your tat, or feel my whipping R: Stick - It where the sun don’t shine, indulgences don’t work! Trust the thigh of blessed Agatha, don’t listen to that P: Jerk - The sin from your conscience, heave it up into the light Your guilt is like a ghastly snake – R: The pardoner’s full of P: Shite – Out loud how good you feel! How the pardoner’s your best bloke How the relic seller’s breath kills dogs; his prices make you choke R: St Agatha’s thigh, St Agatha’s thigh! Oh me oh my, St Agatha’s thigh! It’s for those who sigh, St Agatha’s P: Thy - (Feigning humble prayer) Way is not easy, Lord, we’re screwed at every turn Without my kind indulgences, I so fear they’ll all burn But the Lord and I forgive! We ease the common pain And once your coins are in my bag, you can begin R: A gain - Not loss but gain, my friend, with a relic you can feel P: This is the pardoner’s tale, offered up for you R: Some wood from Jesus’ manger, and honest-to-God it’s real P: It’s really work that even God can’t do R: And wrapped in a cloth which you could carry on a stick P: You make me sick you’re such ……. (pause) R: A thorn from Christ’s cruel crown – but no need to feel a (Shouted by both, turning to each other) Prick!..
3.
One Day 03:31
Have you heard that one day Sweet river of justice, she’ll flow again The hungry will never go hungry There’s going to be such laughter down our lanes Have you heard that one day The eyes of all the blind shall see the dawn Plagued bodies healed and whole again The serfs are free, a new world born Hook, line and sinker; they’ll struggle and fight They’ll make a splash and a rattle will the Council of Fools But hook, line and sinker, their time has run out One day we’ll have hearts and not rules Have you heard that one day The cheats will all be throttled by their lies The rich lie strangled by their money There’s going to be some cutting down to size Have you heard that one day It won’t be like it’s ever been before The king will give his throne for fire wood The lords’ fine robes, they warm the poor
4.
You are surprising revelation, a singing in the rain A May the 8th arrival, the breaking of a chain You are an overwhelming feeling, a sight of so much more A longing loved inside me, this sudden open door And my God, you were done to me, no invitation here A many-coloured telling, every season of the year My defences torn and crumbled, melting everything I’ve heard Such mercy from above, making good this big absurd Between abandonment and bliss – there’s just the kiss You made your cross the doorway, as my life, it faded fast, The priest says to my mother, ‘She has not long to last’ I remember childhood prayers that I should suffer and I should scream I knew not what I asked, so fear – when God gives you your dreams. And my God, you were done to me; done, dusted, signed and sealed A strange disturbing telling of what is, and is not, real I’m on my knees and begging, so broken yet so pleased I’m on my knees not knowing, since you were done to me Between abandonment and bliss – there’s just the kiss
5.
No Wrath 03:02
In you, my dear Lord Bishop – I find a sea of rage A choppy wash in which good people drown The breaking waves break everything, leave bodies on the shore Your rage, sir, has an undertow That drags God’s children down and down, down and down Yet I laugh mightily and noisily, my giggle grows and grows My laughter quells cathedral bell and hurts from head to toe I roar mightily and merrily, our courteous God quite free Of all the hate and violence in the hearts of you and me This prayer of laughter This prayer of laughter coming over me For God, my dear Lord Bishop – she has no rage at all There is no wrath or judgement to bring shame If God’s a sea, the water’s kind, he carries sailors home No rage, sir, can I find in God, no hint or trace of blame So I laugh mightily and noisily, my giggle grows and grows My laughter quells cathedral bell and hurts from head to toe I roar mightily and merrily, our courteous God quite free Of all the hate and violence in the hearts of you and me This prayer of laughter, This prayer of laughter This prayer of laughter coming over me
6.
Stone by stone, they brick me in; they close me to the sky To dewy grass and winter sun and I know you’ll ask me why Outside they sing a funeral tune, this cell declared my tomb My mother weeps, my friends aghast, ‘You end your life too soon’ But all I know is ‘It must be’, though what must be who knows? They tell me I must think again, ‘It’s an awful door you close’ But here I’m safe, no judging eyes, no angry voice chants blame Here I’ll write of things untold and bring an end to shame This cell is heaven, though true, it could be hell Will I go mad or find that all’s quite well? I have to be here, sealed in stone by stone A place to breathe – my most unlikely throne So I become an anchoress, one anchored to a place And folk can come and see me; but I’ll not leave this space The world can go but I’ll remain, constrained by stone and clay But free in God’s own joy shown clear to me, the 8th of May
7.
I stand now before you at the end of the chase Only noose and rough knife await me We were promised fair play, we heard the king say ‘I will hear you – and change will occur!’ Hah! When the peasants cry ‘Foul’, they don’t stand a chance The king more concerned with his palace With conquest and tax, with the wine in his racks We’re a long way from Eden today. Hah! For when Adam dug and Eve she span Who was then a gentleman? Where in the garden was bishop or king? God’s sweet green Eden knew no such thing Who then was the serf? Who close to the crown? Who paraded in fur and soft velvet gown? For when Adam dug and Eve she span Who then on earth was a gentleman? An Englishman I, but I cry for the realm Grace walks with a limp through our land We ask for what’s fair, ‘This land and wealth shared We are equal!’ – yet these words a crime
8.
No Answer 03:11
Well, who am I to question, Lord, but question you I must I lose my child, I see you not; it quite wears out my trust ‘I’ve made well the greatest harm,’ God says, ‘tired Adam hugged and held And what I’ve done I’ll do again - I will make all things well.’ I say to God ‘The words are fine, you promise some great deed But those of us who live here now are near destroyed by need He smiles at me, so meekly faced, and with the eyes of love Says ‘Know the pain you feel below is also felt above.’ But I can’t hear the comfort of these words, they slide away My mind attacks and chases them, just anger in this day You say a glorious secret, Lord, will show why all’s been done But I would know the secret now, not all that is to come I’m here tonight to question God, my loss it leaves me cold I try to scream, there is no sound - no warmth or hope enfold I hear no answer in the wind, no answer in these stones No answer in this careless night, no answer in my bones
9.
The Fiend 04:13
(This song is sung during a physical struggle. Julian enduring it, Stan watching on. We do not see the attacker, though we his effect.) J: No comfort here in sealed cell, I shall be overcome Torment arrives and where’s my God? S: Your God is on the run Who knows his whereabouts these days? He leaves you to your fears Some monster from your past attacks J: The fiend, he’s gross, he leers P: The Pardoner brings pardon, you’ll find us very nice I offer sweet forgiveness - but only at a price R: St Agatha’s thigh, St Agatha’s thigh! Oh me oh my, St Agatha’s thigh! It’s for those who sigh, St Agatha’s thigh J: Well, who am I to question, Lord? But question you I must I lose my sense, I see you not S: It can wear out the trust J: But all I know is ‘It must be’ S: Though what must be who knows? It may be time to think again Alone you take these blows J: So I become an anchoress, one anchored to a place S: Those pretty days are gone my girl! I see your haggard face P: The Pardoner brings pardon, you’ll find us very nice I offer sweet forgiveness - but only at a price R: St Agatha’s thigh, St Agatha’s thigh! Oh me oh my, St Agatha’s thigh! It’s for those who sigh, St Agatha’s thigh J: Don’t strangle me, you red-skinned rogue I feel your spit, your phlegm S: When Adam dug and Eve she span Who was then the gentleman? Exchange your dreams for something real No paradise, no bliss Between abandonment and death There’s only shit and piss
10.
I hope you find me courteous; I gaze on you with awe But you wonder at the suffering that comes knocking on your door So hear, my child, what I did not say; what I never claimed for you So many things I did not speak - so hear well what is true I never said that torment would not arrive, loud, at your place I neither said you’d weary not, exhausted by the pace I never said distress would pass you by, your dear life shun, But I did say, please remember well, ‘you shall not be overcome’ You imagine woe is punishment, you think I’ve left your heart But in your cold and lonely cell, we have never been apart Between us, my dear darling, there is no in-between My homely love, no barrier here, I’ll mend your broken scream
11.
Tread quietly on the stairway The house is still, the hush so cruel to hear Empty cot, no child’s cry – what am I to do? An awful thief has been here And now I hardly see you Time takes away your face; your eyes, I lose their sight The ache, it stays forever, yes I know And that hardly makes it easier The day that you were taken Everything so smashed and sore Wandering the streets, I walked them endlessly Tears reached the farthest star, dear And so it was a vision came From body gross, I saw a child, she flew All lily-white and lovely, how she rose! She glided swift to heaven Tread quietly on the stairway I’ve had to cry and let you go, my dear Let you go and love you so, yes I do And I find it’s getting easier...it’s somehow getting easier
12.
It’s night time when I find the nut, this restless city sleeps The harbour’s quiet, the rigging still, for now, the silence deep I hold the nut in candlelight and see a growing thing I seem to hold the whole world here, and sense the angels sing ‘Three delights we share with you, three joys we now declare to you The nut you hold has heaven in its form This world is made, this world is loved, this world securely kept!’ I wept the night a nut became the world The city dreams, the bell strikes two, the witching hour for many I irritate myself with thoughts; they’re not worth a traveller’s penny I hold the nut in candle light, good cheer all packed and gone But shift inside me, sudden change, when I hear the angel song
13.
Have you ever wished the meaning to be plain? Have you ever tried to understand the ‘why’ of all that is? I tell you now, sealed in my cell, I oft’ desired to know this well The motion and the meaning of it all Have you ever wished to understand the times? Have you ever tried to see the golden thread through life’s strange course? I tell you now, sealed in my cell, I oft’ desired to know this well The motion and the meaning of it all But there and then, no count to ten, I saw the meaning clear, I saw the meaning clear, Ask who showed it? And I say love Ask me what they showed? And I say love Ask why they showed? It's for love’s sake, yes! Dear love’s the meaning - the meaning of it all Dear love’s the meaning - the meaning of it all I saw God in a point, all flows from there He lives in all and does all things, holds everything secure I know it now, sealed in my cell, I’ve oft' desired to know this well The meaning of it all is love unknown And there and then, no count to ten, I saw the meaning clear, I saw the meaning clear, Ask who showed it? And I say love Ask me what they showed? And I say love Ask why they showed? It's for love’s sake, yes! Dear love’s the meaning - the meaning of it all Dear love’s the meaning - the meaning of it all I love it here, although it hurts I love this city though it cries Cathedral spire it gives us hope beneath the darkening skies The plague it plagues us, bishops rage But bluebells grow here, they cheer my day Apothecary mends us well - and prayer to God, they say I love this England, though it hurts me (yes it hurts me!) I love this city how it shines The market hums, we’re European here, sir We give them wool, they give us cheese and Flemish wine Ask who showed it? And I say love Ask me what they showed? And I say love Ask why they showed? It's for love’s sake, yes! Dear love’s the meaning - the meaning of it all Dear love’s the meaning - the meaning of it all Dear love’s the meaning - the meaning of it all
14.
And now the day is done, we’ll let it be And if the birds have sung, we’ll let them rest And as darkness draws a veil over all that’s been and all we’ve seen Let the coverlet of sleep be wrapped around you – all shall be well And now the day is done, we’ll let it be As the sun sinks low, no need to cry If your clothes are torn, dust-laden, and the battle scars seem all that are And the traveller’s bag is empty of supplies – all shall be well All shall be well, and all shall be well And all manner of things, see this unfolding - they shall be well As the old day dies, we let it be If night terrors rise, we’ll grin and wink Like the flower closed at twilight, no shame to spoil you, no fear to foil you The flower is quite renewed by morning light – all shall be well And now the day is done, we’ll let it be And if the birds have sung, we’ll let them rest And as darkness draws a veil over all that’s been and all we’ve seen Let the coverlet of sleep be wrapped around you – all shall be well

about

'All Shall Be Well' is a new musical around the life of Julian of Norwich. Unknown in her time but famous today, her’s is a remarkable story.
She lived in the 14th century and is best known now for being the first woman to write a book in English; though had it been discovered at the time, (its survival is a miracle) she probably would have been burnt at the stake. She did not live in kind or stable times.
Wisely, Julian wrote in secret. She became an anchoress - one ‘anchored’ to a place, sealed in a cell, which she could not leave. Some are imprisoned against their wishes, but Julian, still in her thirties, chose it. And she chose it to reflect on and write about sixteen remarkable visions given to her when she thought she was about to die. She had experienced a terrible illness at home and had already been given the last rites when the visions arrived. And life for Julian began again.
What she wrote in that cell is still being read today, all over the world, as she famously declares, ‘All shall be well, and all shall be well and all manner of things shall be well.’
Her words, full of remarkable encouragement and hope, are all the more astonishing given the times in which she lived. 14th century England experienced terrible plagues that killed over half the population of her beloved Norwich. They left piles of bodies in the streets and brought frequent famine. It was also a century of political upheaval, injustice and revolt – the first organised uprising in English history, the Peasant’s Revolt; and a century when a brutal and greedy church offered only guilt, fear and hell to the faithful.
This was the unlikely setting for Julian’s story of hope.
She called her book, ‘Revelations of Divine Love’ and this it is. But it contains also her inner struggles between darkness and light, despair and expectation. This struggle, with both the world and herself, forms the heart of her writing and the heart of this musical.
Julian died in her seventies, unknown in death beyond her home town. But she is not unknown today. It is ironic that a woman who hid herself away seven centuries ago is today such a public figure.

credits

released March 11, 2021

Vocals: Ellen Armstong (Julian), Zac Hamilton (John Ball/God), Martin Hoile (other characters).
Instruments: Caroline Hoile ('cello), Sam Hoile (drums) Martin Hoile (all other sounds)
Lyrics/Storyline: Simon Parke
Composition/Arrangement/Production: Martin Hoile
Artwork: Harry Parke
Many thanks to all who contributed their thoughts and advice as this album took shape.

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Hoile/Parke UK

Martin and Simon have worked together for over forty years but 'All Shall Be Well' is their first musical. So, ancient roots of collaboration but fresh growth now in the remarkable story of Julian of Norwich, turned into fourteen wonderful songs of hope’s triumph over despair. A woman for our time! ... more

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